Mackie 1642VLZ4 mixer

The Mackie 1642VLZ4 16-Channel 4-Bus Compact Mixer delivers the proven performance of Onyx preamps in a compact 4-bus mixer design, suitable for bands, clubs, and more. From every input to every output, the mixer is designed to provide the highest headroom and lowest noise possible for maximum signal integrity.

The mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for tactile control. With features like an expanded return section for no-hassle system integration and a dedicated control room section, the 1642VLZ4 16-Channel 4-Bus Compact Mixer is the go-to mixer choice for any application that demands flexibility and professional performance.

16-Channel mixer featuring high-headroom, low-noise design
10 Boutique-Quality Onyx Microphone Preamps:
Wide 60 dB gain range
128.5 dB dynamic range
+22 dBu line input handling
Extended frequency response
Distortion under 0.0007% (20 Hz to 50 kHz)
Improved RF rejection, suitable for broadcast applications
Phantom power for condenser microphones
16 High-headroom line inputs with +4 / -10 operation control
3-Band EQ (80 Hz, 2.5 and 12 kHz)
18 dB/octave 75 Hz low-cut filter on microphone input channels
Four AUX sends, level, pan and PFL solo on each channel
Four stereo returns for connecting FX processor or other stereo source
60mm long-wearing log-taper faders
ALT 3/4 stereo bus for added routing flexibility
Control room / phones source matrix
High-resolution 12-segment stereo meters
Sealed rotary controls resist dust and grime
Built-like-a-tank rugged steel chassis with powder-coat finish
High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback
Rack-mountable design using optional rack ear kit (sold separately)
Multi-voltage power supply for worldwide use
Applications: Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, multi-track studio and field recording, video post-production, multimedia applications, broadcast, and many more

Noise	Main Mix Noise: Main Mix Fader @ Unity, Channel Faders Down: -86.5 dBu (92 dB signal-to-noise ratio, ref +4 dBu) Main Mix Fader @ Unity, Channel Faders @ Unity: -86 dBu (20 Hz to 20 kHz bandwidth, 1/4″ main out, channel gains at unity, channel EQs flat, all channels assigned to main mix, odd channels panned left, even channels panned right)
Total Harmonic Distortion (THD)	Microphone In to Insert Send: <0.0007% (1 kHz @ 35 dB gain, 20 Hz to 20 kHz bandwidth)
Crosstalk / Attenuation	Channel Mute Switch Engaged & Channel Gain Knob Down: -82 dBu (1 kHz relative to 0 dBu, 20 Hz to 20 kHz bandwidth, line in, 1/4″ main out, gain @ unity)
Frequency Response	Microphone Input to Main Output (Gain @ Unity): +0, -1 dB, 20 Hz to 50 kHz +0, -3 dB, <10 Hz to >100 kHz
Equivalent Input Noise	150 Ω Termination: -128.5 dBu, 20 Hz to 20 kHz Microphone input to insert send out, maximum gain
Common Mode Rejection Ratio	Better than -70 dB @ 1 kHz
Maximum Level	Microphone In: +22 dBu All Other Inputs: +22 dBu Main Mix TRS Out & XLR Out: +28 dBu All Other Outputs: +22 dBu
Impedance	Microphone In: 2.5 kΩ Channel Insert Return: 2.5 kΩ All Other Inputs: 10 kΩ or greater Tape Out: 1.1 kΩ All Other Outputs: 120 Ω
Equalizer	3-Band EQ (Channel 1 to 8): High Shelving: ±15 dB @ 12 kHz Mid Peaking: ±15 dB sweep 100 Hz to 8 kHz Low Shelving: ±15 dB @ 80 Hz Low Cut Filter: 18 dB/octave, -3 dB @ 75 Hz 4-Band EQ (Channel 9 to 16): High Shelving: ±15 dB @ 12 kHz Hi Mid Peaking: ±15 dB @ 2.5 kHz Low Mid Peaking: ±15 dB @ 400 Hz Low Shelving: ±15 dB @ 80 Hz Low Cut Filter: 18 dB/octave, -3 dB @ 75 Hz
Power Consumption	50 W, 100 to 120 VAC/ 200 to 240 VAC, 50 to 60 Hz
Operating Temperature	32 to 104°F (0 to 40°C)
Fuse Rating	100 to 120V: 1 A slo blo, 5 x 20 mm 220 to 240V: 0.5 A slo blo, 5 x 20 mm
Dimensions (H x W x D)	16.7 x 16.6 x 5.2″ (425.0 x 421.0 x 131.0 mm)
Weight	18.2 lb (8.3 kg)

Packaging Info
Package Weight	24.0 lb
Box Dimensions (LxWxH)	20.5 x 20.5 x 9.5″

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